Wednesday, December 30, 2009

Best mumble mumble 2009

Best Movie of 2009:

The Hurt Locker

I'm always a sucker for a good action flick, but action flicks with this much depth, guts, emotion, and sheer storytelling bravura rarely get made. This is more than just "2009's war movie." This is a great story about 3 young men dealing with each other in the most hellish environment possible.

There were other really good movies this year, too:

Coraline

Stop-motion was in vogue this year in a big way. Both Henry Selick's stylish and scary adaptation of a Neil Gaiman story and Wes Anderson's Fantastic Mr. Fox (Also an adaptation) were visual successes, but where Anderson lost me with his idiosyncratic sense of humor, Selick hooked me with a gaudy and unique visual feast.

Up

Up did something very special for me. The first time I saw it, I had heard so much about the infamous opening 20 minutes that I readied myself for it and only felt some colorful flitting of emotion somewhere in the cold recesses of my dead heart. When I saw it again with my family, I knew what was coming and had a similar reaction. When I saw it again on Thanksgiving, my guard was down, and an unprecedented two tears were coaxed from my left eye. Must have been something in the turkey.

District 9

It's a neck-and-neck race between District 9 and Moon for my favorite sci-fi movie of the year. Neil Blomkamp's sci-fi-flavored apartheid fable has my love for its thematic content, blistering action, and two-steps-forward-one-step-back approach to race issues on film. The only failings for me are the jittery editing and uneven third act, but I can forgive those on the sheer strength of the rest of the film.

The Cove

Not only a great film, but an important film. Watching The Cove is akin to throwing that cardboard in the recycling bin instead of the the trash. It's not much, but it leaves you feeling like you donated your time to a worthy cause. Plus, it's just fun to watch, thanks to the whole "Ocean's Eleven meets The Bourne Identity" feel it has going on.

Ponyo

Miyazaki's latest animated adventure may not have blown me away like some of his other masterpieces, but there is so much inventive beauty packed into the charming tale that it's impossible to ignore.

Paranormal Activity

It seems the unqualified success of Oren Peli's low-fi ode to horrors of the night has prompted an enormous backlash, because no matter where I go online, all I read is how lame this movie supposedly is. Well, some felt the intense dread and some apparently didn't. I was one of the lucky few who did.

A Serious Man

The Coen Brothers always seem to be treated as if they're playing in their own sandbox. All their movies are so unique and so completely their own that it's tough to compare them to any other films released around them. Still, I'd say A Serious Man could hold its own against most every movie that came out this year.

Moon

Where District 9 faltered in its flashy, shaky direction, Moon wowed with its supremely assured presentation. While I wasn't bowled over by the somewhat unimaginative story (I kept waiting for some sort of twist to shake things up a bit), Sam Rockwell's powerful performance and Duncan Jones' marvelous direction more than made up for it.

(500) Days of Summer

A charming if somewhat annoyingly self-aware romantic comedy about love, and how it really isn't ever how we expect it to be. The humor ranges from cute to hilarious, and Joseph Gordon-Leavitt proves why he will win an Oscar one day (just watch).


Other fun movies came out, but they were either mediocre or overrated:

Star Trek

People won't like me for this, but Star Trek was good, but only good. Critics and audiences seemed to receive the J.J. Abrams reboot like it was Kirk's long-lost sex tape, but I had fun and not much beyond that.

Taken

Liam Neeson tearing up the very foundations of Paris in his search for his missing daughter sounds like a whole lot of fun, and it is, but the novelty wears off quick when you realize the movie doesn't have much more than that.

The Brothers Bloom

I really liked most of this goofy crime thriller, especially the great performances by the leads, but I have to admit the pacing and story were a little muddled and the whole thing went on a little too long.

Teminator: Salvation

I still say this one is underrated, but I can't deny that it still doesn't amount to a whole lot beyond some fun action and nostalgic moments.

Zombieland

Again, this is a fun movie, but it really got way too much praise from the zombie-crazed crowd when Shaun of the Dead did it so much better way back in 2004.

Avatar

Yes, the visuals are astounding, the effects are incredible, and the direction is solid. And yes, the film's critics often go a little too far in defending their dissent from the generally-positive norm. But let's be honest here; the story is so old and doesn't even try to be inventive, and the subtext says some troubling things about race issues.


There were also some huge disappointments:

Watchmen

It should have been so much better.

X-Men Origins: Wolverine

I am embarrassed for Hugh Jackman at this point. Come on, man, make any excuse you can and then jump ship!

Transformers: Revenge of the Fallen

And to think I defended the first film when the sequel revealed the true core of the franchise: dog sex and robot testicles.

9

How could a film that looks so good and has so much action be so boring? Ah, by having almost no story beyond "robot burlap people and the apocalypse."

Public Enemies

Michael Mann's take on John Dillinger was decent, but failed to justify its very existence.

The "Bizarro George Lucas" award for long-running series that somehow manages to avoid becoming awful:

Harry Potter and the Half-Blood Prince

Steady direction, artful cinematography, and elevated performances from the whole cast distracts us from the vacuum of a plot.

The "First Evil Dead Movie" award for films that made me feel like I missed the point:

Where the Wild Things Are
Fantastic Mr. Fox
Inglourious Basterds

All three of these films received huge amounts of praise, and I didn't really enjoy any of them. Okay, I did enjoy Fantastic Mr. Fox to some extent, and I loved Cristoph Waltz's performances in Inglourious Basterds, and there were parts of Where the Wild Things Are that I thought were well done, but I couldn't ever see where all the supposed brilliance of any of them lied. I just don't get it.


The "Face/Off" award for brainless fun if you're in the right mood:

G.I. Joe: The Rise of Cobra
2012
Drag Me To Hell


Of all of these, Sam Raimi's Drag Me to Hell was probably the most well done, but they all relied on a certain switch in most theater-goer's brains that shut down thought for 90 minutes or more. If you can ignore or embrace the inherent stupidity in any of these movies, you'll have as much fun as I did with them.

Other notable films of 2009:

Brüno

Not as good as Borat, but not as bad as some people made it out to be. Sure, it felt like a rehash, but some parts were nothing less than hernia-inducing hilarity.

The Princess and the Frog

Yes, I did gush all over it in my review, but most of that was due to my excitement at seeing traditional animation from Disney again. In the end it can't hold a candle to Up or Coraline.

Sherlock Holmes

Fun, but not in a completely brainless way. The writing and overall story were much better than I was anticipating, making the action scenes the only real dull parts of the film.

I didn't get around to watching a lot of movies that I wanted to see that I heard are also good:

Gomorrah
Bart Got a Room
Rudo Y Cursi
The Hangover
Food, Inc.
Whatever Works
It Might Get Loud
Big Fan
Cloudy with a Chance of Meatballs
The Informant!
Bronson
Black Dynamite
The Messenger
Bad Lieutenant: Port of Call New Orleans
The Road
Up in the Air
Push: Based on the Novel Precious
Nine
An Education



A lot of critics and bloggers are doing "Best of Decade" lists like this one, but I've only been doing the "movie obsession" thing since like 2006. I really don't have a good enough handle on the best and worst of the decade to make that sort of list yet. But according to my flickchart account, my top twenty movies of the decade are:

1: The Lord of the Rings: The Return of the King
2: Hot Fuzz
3: Unbreakable
4: The Dark Knight
5: The Incredibles
6: Master and Commander: The Far Side of the World
7: Spirited Away
8: Kiss Kiss, Bang Bang
9: Let the Right One In
10: Amélie
11: Once
12: Shaun of the Dead
13: Pan's Labyrinth
14: Eternal Sunshine of the Spotless Mind
15: Casino Royale
16: American Psycho
17: The Hurt Locker
18: No Country for Old Men
19: The Wrestler
20: Memento

Aye, 'tis a fine list indeed.

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